Within the Frame: The Journey of Photographic Vision (Voices That Matter Series)
Author: David DuChemin
Within the Frame is a book about finding and expressing your photographic vision, specifically where people, places, and cultures are concerned. A personal book full of real-world wisdom and incredible images, author David duChemin (of pixelatedimage.com) shows you both the how and the why of finding, chasing, and expressing your vision with a camera to your eye. Vision leads to passion, and passion is a cornerstone of great photography. With it, photographs draw the eye in and create an emotional experience. Without it, a photograph is often not worth—and can’t capture—a viewer’s attention.
Both instructional and inspirational, Within the Frame helps you on your photographic journey to make better images of the places and people you love, whether they are around the world or in your own backyard. duChemin covers how to tell stories, and the technology and tools we have at our disposal in order to tell those narratives. Most importantly, he stresses the crucial theme of vision when it comes to photographing people, places, and cultures—and he helps you cultivate and find your own vision, and then fit it within the frame.
What People Are Saying
Joe McNally
"If the book simply stayed right there in the realm of how-to, go-to advice, it would be a wonderful book indeed. But it crosses the line from useful to inspire because David opens up much more than his camera bag. He opens his considerable heart and mind, both of which belong to a masterful storyteller driven by an acute sympathy for the human condition, coupled with an intense curiosity and respect for both the differences and the sameness of the world."--(Joe McNally, photographer, author of The Hot Shoe Diaries and The Moment It Clicks)
Scott Kelby
"David does something here that few have ever done-he not only shows his absolutely captivating images, he shows the thought process behind those images, as well as how to start capturing the types of images we all long to take. People will be talking about this book for years to come. It's that good!"--(Scott Kelby, photographer, author, President of the National Association of Photoshop Professionals)
Small Place
Author: Jamaica Kincaid
A brilliant look at colonialism and its effects in Antigua--by the author of Annie John
"If you go to Antigua as a tourist, this is what you will see. If you come by aeroplane, you will land at the V. C. Bird International Airport. Vere Cornwall (V. C.) Bird is the Prime Minister of Antigua. You may be the sort of tourist who would wonder why a Prime Minister would want an airport named after him--why not a school, why not a hospital, why not some great public monument. You are a tourist and you have not yet seen . . ."
So begins Jamaica Kincaid's expansive essay, which shows us what we have not yet seen of the ten-by-twelve-mile island in the British West Indies where she grew up.
Lyrical, sardonic, and forthright by turns, in a Swiftian mode, A Small Place cannot help but amplify our vision of one small place and all that it signifies.
Library Journal
Kincaid here examines the geography and history of Antigua, where she was raised. We first see the island through the eyes of the typical North American tourist, who aims to exchange his or her own ``everydayness'' for that of someone without the same privilege. But rather than interpret Antiguan experience for outsiders, Kincaid lays bare the limits of her own understanding. She asks us to grasp the crime of empire in a new way, stressing that it can be understood only from a post-colonial point of view: surveying 20 years of a corrupt ``free'' government, she finds the inheritance of colonialism to be a commercial and governmental enterprise that serves individual interests. Antiguans, she effectively demonstrates, are ordinary people saddled with an unthinkable but unbreachable past. Mollie Brodsky, Rutgers Univ., New Brunswick, N.J.
What People Are Saying
Jamaica Kincaid
"How do I write? Why do I write? What do I write? This is what I am writing: I am writing "Mr Potter." It begins in this way; this is its first sentence: "Mr. Potter was my father, my father's name was Mr. Potter." So much went into that one sentence; much happened before I settled on those 11 words....And then? I grew tired of that sentence and those 11 words just sitting there all alone followed by all that blank space. I grew sad at seeing that sentence and those 11 words just sitting there followed by nothing, nothing and nothing again. After many days it frightened me to see nothing but that one sentence and those 11 words and nothing, nothing and nothing again came after them. "Say something," I said to Mr. Potter."
— Writers on Writing, The New York Times, June 7, 1999
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